Enxi Liu
The Flow of Nature: Conscious Connection of Slow Experience and Extended Perception
- Summary
- Additional Info
- -The Slow Continuation of Consciousness and Time Philosophy-
- -Time Perception in the Post-Pandemic Era-
- -Emotional Memory of Extended Time-
- -Construction of Relational Space and Time Awareness-
- -Temporal Experiences in Natural and Intersecting Spaces-
- -Relational Experience of Extended Time and Nature Connection-
Summary
This study stretches time into a prolonged state to explore introspective and contemplative slow experiences within an indivisible, continuous, heterogeneous, and subjective consciousness extension. It examines changes in time perception in relation to personal interactions with nature and space. Combining the demands of a rapidly developing society and the reorganization of time in the post-pandemic era, the study investigates the time experience of slow experiences and extended perception from personal and relational perspectives.
Through performance, moving images, and experimental photography, this research articulates and expresses personal perceptions of time, the connection between slow awareness and memory, and the concept of extended time. In the natural flow, each moment of time is connected in an extended manner, forming a continuous and profound conscious experience. It further analyzes and explores the tension between the nature of prolonged time and modern society's obsession with acceleration, examining the changes in the linkage of extended time perception and consciousness experience in personal, relational, spatial, and natural contexts, and their creative expressions.
Additional info
Enxi Liu, born in 2001, obtained a Bachelor's degree from the Xi'an Academy of Fine Arts in China and is currently pursuing an MRes degree at the Royal College of Art in the UK. She often poetically explores the various possibilities of combining sensory time with the body through performance, photography, and imagery. In her creations, the interconnected sensations of personal bodily experiences and self-reflective experiences are combined with a sense of prolonged time. Elements such as identity, memory, perception, and traces are all inscribed into a slow and subtle cycle of existence.
Enxi's works stem from the slow experiences of personal life and the enduring essence of time, exploring time through the connection of bodily perception and the flow of consciousness. Engaging in boundless soul wandering within the perception of bodily actions, she shifts from introspection and self-reflection towards sensory and individual memory-based time, as well as time linked to the relationship with nature. The flow within the continuum seems to blur the boundaries between past and future; each successive state permeates one another, with every present moment containing the past and foreshadowing the future.
Through performance, moving image, and photography, Enxi extends the prolonged sensory experiences into a Sisyphean cycle of repetition. Fragmented and winding traces intertwine with continuously repeated memories. After prolonged waiting, she attempts to narrate the story we collectively flow through; in the circular language of reminiscence and shared experiences, time reunites at this moment, merging us once again into a whole. Enxi's artistic journey is characterized by a deep engagement with the fluidity of time and memory, weaving them into her works to create a resonant narrative that speaks to the collective human experience.
Instagram: _enxiliu
-The Slow Continuation of Consciousness and Time Philosophy-

TIME IN TIME, Moving image 2023
Maybe this is a boundless wandering of the soul
In the thin life, every subtle trace
Flows in the ripples of the air
Becoming hazy, blurred, like bubbles that inflate
Slowly spinning, rolling, swelling, growing
Ring-shaped fragments of language scatter in the void
Every long self-reflection and recall
Bring a flood of memories in the tremor
Reminiscences interweave, cluttered together
Like a fragment machine, or a carousel shadow
Repeating, folding, and reflecting the faces
They overlap each other and flicker and fade away
The long melody washes down and slides away
Time no longer flows linearly forward
Past and present, future and now will meet
We merge into one again
Time, as a philosophical concept, is an indispensable part of daily life and has profound internal complexity. In this section, we will explore Henri Bergson's concept of "duration" and Lisa Baraitser's notion of "enduring time" to understand the nature of time and its manifestation in our lives. Additionally, I will reflect on how slow time experiences in my life influence introspection and contemplation.
Henri Bergson's concept of "la durée," presented in "Matter and Memory," is a core idea in the philosophy of time. Bergson posits that time is not merely an external, objective measure but an internal, subjective experience. This experience is continuous, indivisible, and filled with qualitative differences rather than quantitative ones. For Bergson, real-time experience is a sustained flow that cannot be segmented into discrete parts. Each moment is closely connected with the past and future, giving time a unique texture and depth. Unlike mechanical clock time, the experience of duration is part of an inner life flow, emphasizing the fluidity and continuity of time.
Lisa Baraitser, in her book "Enduring Time," further explores the pauses and extensions of time. She focuses on seemingly stagnant time segments such as waiting, delay, repetition, and maintenance. Baraitser argues that these forms of time reveal the essence of care, especially in contemporary capitalist society, offering an alternative time experience that resists productivity and exchange value. She highlights how, in these pauses, we can deeply experience the viscosity and lag of time. These times are not merely boring or monotonous but subtly oppose the capitalist structure of time. By exploring these "enduring times," Baraitser unveils the complexity of care and the role of time in the psychological analysis of contemporary capitalist society.
Combining Bergson's and Baraitser's perspectives, I also experience this slow, prolonged sense of time in my life. My lifestyle is accustomed to slowness, where I find deeper introspection and contemplation within this extended duration. In this indivisible, continuous, heterogeneous, and subjective flow of time, I feel that time is no longer a source of pressure and anxiety but an inner peace and tranquility. This slow time experience harbors a lasting, profound sense of consciousness balance.
-Time Perception in the Post-Pandemic Era-

TIME IN TIME, Moving image 2023
Within these invisible boundaries, time quietly changes its pace
The city's heart beats slowly, streets remain silent
Homes become shelters of refuge, day and night flowing as one
In solitude, we learn to listen
To those overlooked details, the subtle rhythms of life
The world outside slows but remains as vivid as ever
Day by day, people spin in repetitive cycles
Our thoughts wander within four walls
searching past shadows, anticipating future light
Time is no longer a passerby but a long-term friend
Accompanying us on this unknown journey
In this quiet era, we reshape the contours of life
In the context of rapid economic development and technological advancement, the demand for productivity and technological progress continues to expand, gradually changing people's imagination, perception, and experience of time through segmented time blocks. Especially in the post-pandemic era, the flow of public time further compresses personal time experiences and relational space, with people's life rhythms still spiraling upward.
Public health events, such as the COVID-19 pandemic, have led to prolonged isolation and social distancing worldwide. In this context, people have begun to reassess and reflect on the meaning of time. During this period, the nonlinear, indivisible, and continuously flowing nature of time has become increasingly evident, affecting individuals' time perception and expression concerning themselves, others, nature, and space.
This control of time results in a one-dimensional existence, preventing people from truly experiencing the richness and diversity of time. With the development of capitalism, public time gradually compresses private time, making individual time experiences and social interactions mechanical and alienated. This contradiction has become more pronounced under the influence of the pandemic, forcing people to rearrange and adjust their time within limited private spaces, experiencing unprecedented time pressure and anxiety.
In the post-pandemic era, long-ignored time experiences are stretched into a nonlinear, indivisible, and continuously flowing state. People begin to rethink time not just as a tool for production and efficiency but as a profound personal experience and relational bond. We will explore how individuals rediscover themselves in this new normal, finding new connections with others, nature, and space in the extended state of time.
-Emotional Memory of Extended Time-

TIME IN TIME, Moving image 2023
The preface of returning home slid past the window, falling into the light breeze
The train replaces the footsteps, tumbling from dawn to dusk
In a moment of rest, chasing the waves of the shadows, flattening the time of narration
Wait a little longer, on the lake at the end of the sight, in the water marks that are diffused with mist, stay here
In the hinterland of all memories, stay here
I am waiting
I am still waiting in the developing time, decoding beyond the boundary
Under the footnotes of the micro-things, I see the shadow of time
In the tentacles of memory, shadows entwine with shadows
On the broken face, there are remnants of the fallen wall, ancient fingerprints engraved in the blank eye sockets
I stare at time, time stares at me
The train flies on the rails, spinning continuously and repeatedly
In the endless echo, the familiar names gradually fade away
The cracks of the partition, the interlaced tree patterns, the debris of the container.
Is this another symbol and cause in the endless sequence
I repeat and depict the ripples of memory over and over again, in the random and disorderly branches
The intermittent halo is projected in the morning, folded in the evening
The skin and hair are fused, weak under the dilution of the taste buds
The outlines born in consciousness disappear under the ticking
like water dissolving in water
Individual time experience and emotional memory of extended time are unique and subjective. These experiences and memories may manifest in vastly different forms and changes in different individuals. When exploring the emotional memory of time, nonlinear narratives of time and the emotional presentation of memories become key focuses.
French philosopher Henri Bergson emphasized that time is not just physical but psychological. He believed that memory and emotion are crucial components of time experience, with the concept of duration representing an internal, subjective experience of time. Bergson noted that memory is a continuous phenomenon, blending past, present, and future into an indivisible whole.
Psychologist Daniel Kahneman distinguished between the "experiencing self" and the "remembering self." The experiencing self focuses on present sensations, while the remembering self reflects and summarizes past experiences. Kahneman argued that the remembering self often has a greater impact on an individual's life satisfaction, as it constructs our overall impression and emotional experience of life.
Combining these theories, we can understand that individual time experience and emotional memory are complex, nonlinear phenomena. This nonlinear narrative is reflected not only in personal inner experiences but also in their artistic expressions of time and memory. In such narratives, time is not a linear progression but a multi-layered, multidimensional flow of emotions. Memories and emotions intertwine, forming a unique, subjective time experience.
-Construction of Relational Space and Time Awareness-

TIME IN TIME, Moving image 2023
A grain of sand, or a tiny pebble, remembers this lake
In the long time, it sinks down, slowly falling, deep into the thick rock layer
The curled waves knock on the piled stones, remembering this lake
The stones on the beach are still sunbathing, standing sideways in the wind
The long lake channel narrows, narrows, becoming a thin waterline
Can you hear the faint wind passing through the gravel on your body
I am picked up layer by layer, repeated and overlapped
I draw the shape of the water waves in the air
Peeling off the skin of the dust, the dividing line on my skin is the trace of the water level
I sleep here, sleep here—
Until the tiny water peeks at the star map on the inner wall
I set foot on the wandering road again, until I reach the land of sinking sand
I see footprints, footprints—
The traces on this weak waterline, our common footprints
The former lake surface turned into sand, we quietly display
Down, down
Close to that tiny waterline
We listen quietly
Walking, walking
Walking on the fine waterline
In the cracks of the dried soil, under the gaps of the dense withered grass
I wait for the fine empty sound
The water disperses in the waterline, and flows back in the staggered
Relational space is the link between the individual and themselves, others, and nature. It is constructed and represented through social interactions, personal experiences, and connections with the natural world. This space typically reflects the interaction between individuals and their environment, shaping our perception of time and space.
The concept of social production of space suggests that space is not merely a physical existence but also a result of social activities, cultural practices, and political forces. This perspective emphasizes that space is dynamically generated and closely linked with time, reflecting changes in social structures and individual behaviors. It highlights how the spaces we inhabit are continuously shaped and reshaped by our interactions and societal norms, making space a living, evolving entity rather than a static backdrop.
The idea of the "Third Space" builds on this by suggesting that individuals' social practices and spatial experiences transcend traditional binaries, such as public and private or work and life. This concept introduces the notion of hybrid spaces where new possibilities and identities can emerge. The "Third Space" is where conventional boundaries blur, allowing for innovative interactions and experiences that redefine our understanding of space and time.
Using these theoretical frameworks, we will explore how relational space is constructed in daily life and how it influences our connections with ourselves, others, and nature. Relational space is not merely a physical attribute but also a crucial factor in forming individual time consciousness and collective memory. It plays a significant role in how we experience and interpret our lives, shaping our emotional and social landscapes.
-Temporal Experiences in Natural and Intersecting Spaces-

TIME IN TIME, Moving image 2023
Within a single leaf, time interweaves like a spider’s web
Forest light and shadow like ancient weavings, the murmuring stream akin to ancient whispers
Every raindrop’s slight tremor is nature’s pulse
Air flows quietly, sketching the tides of seasons
Our footsteps sink into the sand, synchronizing with the breath of shells
Years layer in the soil, moss climbs slowly on rocks
Clouds at the horizon, eternal wanderers, guardians of time
In this intersecting space, even the sun weeps
Echoes intertwine in the valleys, carrying ancient vows
Tree rings record storm traces like spirals
Here, past and present entwine
Every corner of nature holds branches of time
The night sky, like a shattered mirror, reflects the horizon’s glow
Dew on the grass condenses before dawn, reflecting the light of daybreak
In this intersecting space-time, we seek the shadows of time
Each journey is a heartfelt resonance between time and nature
Natural space serves as the connection point in our relationship with nature and is the carrier of spatial perception. There is a profound connection between space and existence, where space is not merely a physical presence but a way of being. The true meaning of space lies not in its physical "where," but in how it integrates with the mode of existence of beings, encompassing the relationship between time and existence. From this perspective, natural space becomes a venue for experiencing the depth of time, where time is not simply a passage but a state closely linked with existence.
The relationship between time, nature, and space is multilayered and complex. Time and space are not pre-given entities but are continuously generated through events and experiences. Nature and space are dynamically intertwined, with time being a force of flow and change. These elements find expression in artistic creation, such as through the overlay of images and visual layers that showcase the fluidity of time and the depth of space.
These ideas help us understand how natural space becomes a field for experiencing time and how individuals perceive and experience the flow and changes of time within these spaces. Through this theoretical framework, we can delve deeper into the interaction between natural space and relational space and consider how these spaces together shape our perception of time.
-Relational Experience of Extended Time and Nature Connection-

TIME IN TIME, Moving image 2023
Time waits for time
In the moment of nature's flow
Past and future are all continuous
Following the discussion on the close link between natural space and temporal experience, this chapter delves deeper into the dynamic interaction and connection between time philosophy and nature. From the enduring philosophy of time to the perception of time in social contexts, from the construction of relational space to the temporal links with nature.
Extended time is seen as a form of human consciousness, shaping our understanding and experience of nature. Nature is perceived as a direct manifestation of will, and we experience nature's endless unfoldment through the dimension of time.
Similarly, time perception is considered a part of subjective consciousness, closely related to an individual's emotional state. This perception's impact on our relationship with nature is also worth exploring.
-Relational Space and Prolonged Time-


TIME IN TIME, Moving image 2023
"Time in time" is a moving image work composed of reversed images and long-exposure photography, unfolding a story with two parallel timelines of memory and journey. The work narrates the confession and inner journey of a young person returning to their hometown on a dream quest. It is a story of departure and waiting, focusing on personal experiences and emotional memories in the post-pandemic era.
In this work, the emotional experiences of evasion, escape, and entanglement in layers of memory present a slow memory time in both linear and nonlinear timelines. On the train, on the tracks, the ripples of memory evoke circles of emotional causality, the contours of consciousness and the voices of waiting crowds eventually merge, with time overlapping within time, like water disappearing in water. This overlapping and merging method reflects the state of extended time and memory, showcasing the complexity of emotional memory in nonlinear time.


WATER IN WATER, Moving image 2023
"Water in wate" is a dual-screen moving image work composed of landscape footage and performance image, telling stories of childhood lakes and ancient stone piles bearing long history and memory archives. The drying lake and stone accumulation record the extended memory of the lake. Combining dual-screen moving image and performances, I wrote a monologue narrating the lake's story from the perspective of a stone.
In the imagery, I walk along a long lake, a dry lake, a blurred waterline, until the water marks gradually disappear. These stones are placed, stacked, forming a long line of stones. Each stone seems to record the memory of Poyang Lake, like a commemorative ceremony in a stone museum. This narrative method displays the lake memory's duration and reflects the nonlinear time experience in memory and emotion, exploring the relationship changes between long time, natural connections, and memory traces.


AIR IN AIR, Moving image 2024
"Air in air" is a dual-screen moving image work created through the overlay of moving images and dual perspectives. It establishes intersecting rest spaces for waiting and observing in urban natural sites and transportation hubs. Accompanied by the sound of the wind and faint distant whispers, the layered spaces in the air gradually intertwine, with overlapping spatial scenes in the air swaying with the viewer's perspective, like the waves on a water surface, slowly flowing and touching each other.


SLUMBERING WITH SEA, Performance Video 2024
"Slumbering with Sea" records two moments when I sleep with the sea and the tides on the beach—half an hour at sunrise and sunset.
As the sunrise and sunset intertwine, beneath the distant and hazy horizon, within the eternal ebb and flow of tides, I slumber with the sea. Amidst the silent roar of waves, I pass through the sea, and the sea passes through me. We dissolve within the vast emptiness of water, drifting amidst damp and shattered shores, where the vanishing waterline eventually leaves imprints of grains of sand.


LOOM , Performance Video 2023
"Loom" is a three-screen performance video shot in a dark indoor setting, exploring the topics of overlapping time delays, real and dream spaces, the boundaries and cycles of object reality and image space, life and death space, drawing from Plato's Allegory of the Cave and Tarkovskian duration. The video investigates the limits of cognition and reality, time and space, and their impact on time perception.
A candle, dual shadows, three low stools, four instances of hazy dreams. The candlelight, like flame, vanishing, prayer, and also sacrifice. It represents reality, and it manifests as illusion. Walking through the white theater, praying alongside the candle, bodies casting shadows, shadows reflecting contours, the dislocation of time still echoing persistently. How to transcend the material? Flickering between light and darkness, overlapping between truth and falsehood, falling asleep in Plato's cave, immersed in nebulous dreams.


SEEP , Performance Video 2024
"Seep" an extension of "Loom" uses a three-screen performance video set in a natural environment to explore Heraclitus's philosophical propositions. Through repetitive actions in the river and the use of objects like water cups, it explores the relationships between time, memory, and nature. I attempt to explore the flow and cycle of time, nature's memory, and imprints through actions in the same space, repeated movements of river water in cups, ink rubbings of lightning-struck wood and river water on long scrolls, and the placement and erasure of the scrolls in the same river.
In the overlapping space-time, will trees remember the memory of the same water source originating from their roots? The interwoven streams converge into a cycle, and the draft paper, wrapped with silt and river water, bears the imprints of withered trees, ultimately returning to the river. Can we step into the same river twice?
These two parts illustrate the profound connection between time and nature, exploring the multiple experiences of individuals with nature in the dimension of time. It is not only a record of the physical passage of time but also an exploration of the intersection, delay, and reappearance of multiple time-spaces, as well as memory, change, cycle, and eternity.