How to describe space with dance? Where are the borders of the world? Are we in a giant studio like The Truman Show? Dance blends public and private, or internal and external worlds, and the dancer's body is always moving in the environment. In exploring this relationship in this practice I use lines to draw a square on the space, seen as a three-dimensional space, the box is invisible, the concept of "one square meter" this white space box. But it is deeply symbolic. It provides a platform for us to think about the relationship between people and space, especially how individuals interact with space in a limited environment.

As an independent individual, how to position and behave in space? In the "one square metre" white box, space is seen as a continuous "stay", a three-dimensional environment that can be re-edited. This inward-looking space explores how actors can perform within a limited space through invisible boundaries. In this way, space is no longer a passive being, but an active participant, influencing the individual's behavior and perception.

In the part of choreography, it is the actors' perception of the space. As an choreographer, I provide nouns for the actors. The actors perform improvisational performances in this restricted space, and they show the interaction between individuals and space in the process of birth, discovery, confusion, escape and powerlessness. In this way, the actor's body becomes a tool for measuring space, whether one square meter or ten thousand square meters, which is experienced and understood through the body.

One square meter space is not only a physical limit, it also represents the individual's self-exploration and breakthrough under the edge perception. In this restricted environment, individuals can more deeply understand their own relationship with the world around them, and find new possibilities and ways of expression. This exploration is not only spatial, but also psychological and emotional challenges, prompting individuals to break through their own limitations and discover new potential.

By exploring the concept of "one square meter" as a space, we can better understand the complex relationship between space and the individual, and explore how dance depicts space, which is a double-acting component. Our limited movement in space is reflected in dance, which is infinite possibilities under finite conditions. Describing this art practice provides us with a new perspective to re-examine the experience of space in our daily lives and to search for more meaning and value in it.

Digtal Movement with Body

Based on the exploration of materials in the previous practice, I turned experiments into technical means. Dynamic capture on the field. It's based on the fact that dance is a bridge to create strokes that allow us to work from the inside out, or from the outside in. I use the medium of the body to visualize all my intentions. Think of your body as a paintbrush and train your body (essentially their tool of expression) to achieve balance, strength, and agility.

Because the human body is what people see when they watch dance. Sometimes the body is still; Sometimes you may exercise. Dancers can use their entire body when moving, or they can emphasize a particular body part. When we look at the whole body of the dancer, we might consider the overall shape design; Is it symmetric? Is it twisted? What is the shape of the body? Is the shape sharp and angular, or soft and rounded? Is the body curved, twisted, or straight? Which part of the body triggers movement?

These movements are holistic, and none of them can be seen separately. Capturing is holistic. The first part of my practice is only about the depiction of the body lines, weakening the entity, and only emphasizing the external contours. However, this effect evades the concept of traces, so the external outline is reduced to a state of lines. Use the visualization of lines to connect the body movements of the dance. Lines can be visually and imaginatively challenging. Lines can not only create a space or time experience on the picture, but also create a space or time experience for the observer.