Jiyeon Ryu
Invitation Letter to Secret Island-Blooming Flowers 3,806 feet Under
Summary
This dissertation is a collection of stories of visitors from various backgrounds to the Sorokdo island in southern South Korea, a planned habitat for leprosy patients.
The purpose of making a creative archive of islanders is to awaken our attention to the survivors of the battle throughout their lifetime.
My intention through this research journey was to make a document of them, not just a memory of something but the arrival of something which is remote and obscure, other than illness or strife or repression.
The full dissertation will be available to read at http://jiyeonryu.co.uk soon.
#sickpeople #binary #isolation #seperation #empathy #stigma #leprosyawareness
#history #imperialism #parenthood #foucault #sorokdo #소록도
Additional info
As an interdisciplinary artist, Ryu is curious about how painting existed in between her imagination and the world. Often there is a sense that painting was an object of attention that described a journey into the elsewhere of life. Such journeying was in excess of living, discovering places beyond realms filled by counting and calculation. With a scientific background shaping her analytical perspective, Ryu employs moving images to convey perceptions, sculptures to articulate symbols, and paintings to manifest aesthetic sensibilities. This convergence of mediums engages audiences on multiple levels, offering diverse entry points into exploring the profound and multifaceted nature of human meaning and expression.
Her works were displayed at unique spaces from Safe house at East London and Fitzwilliam Museum at Cambridge.
Ryu is based in London and educated in South Korea and Sweden.
Research Method
- Factual encounter
- Imagined image/ Memory image
- Fictional writing
Imagined Images
I imagined to be circulating all these bodies, they come from different locations some of them come from art history, some of them come from sensual experience, some of them come from being with bodies in an educational spaces, some of them being to do with sport.

A bonding of the wild, 160 x 200 cm, Oil on canvas, 2024
Text By Jonathan Miles
A painting that folds in on itself, discovering in the process, a space in which encounter can occur. The subject appears as a silent meeting of bodies, perhaps for the first time, as in an event of becoming in which two hands lock together. This locking together signifies the entry point of the work, a passage into the imaginary space, a space that is both fractured, but also floating between sky and earth. The light is of early morning, everything is pressed up close. The air is humid, sticky perhaps. So, are the two subjects in a half dream state or are they emerging from the depth of a forest?
Further reading available at https://jiyeonryu.co.uk/a-bond...

Installation shot of a bonding of the wild at Hangar space, 2024

Installation shot of Moon People (90 x 120 cm, Oil on linen, 2023) at Fitzwilliam Museum, 2024

Installation shot of Flower people (100 x 100 cm, Oil on canvas, 2023) at Fitzwilliam Museum, 2024

Installation shot of Flower people in rain (160 x 120 cm, Oil on canvas, 2023) at Fitzwilliam museum, 2024
Installation shot of Sea flowers (240 x 180 cm, Oil on canvas, 2024) at Hangar space, 2024
Installation shot of cosmic people (Various size, Acrylic on wood, 2024) at Hangar space, 2024

Cosmic Eye, 15 x 21 cm, Acrylic on wood, 2024
Breathe everything of you, past, present, future, body, soul.
Breathe my world through your cosmic eye.
Installation shot of cosmic dance (Various size, Acrylic on wood, 2024) at Hangar space, 2024
Cosmic encounter, Acrylic on wood, 2024
Each encounter, new universe is born.
Two universe, Acrylic on wood, 2024
When I am with you, among flowers or ice creams, in life or dreams, I feel a sense of belonging, to you and the universe.
I want to drawn in your mind.
9 x 9 cm acrylic on wood, 2024.

Flower faces, 15 x 15 cm, Bronze, 2023.
Two naked faces, 100 x 100 cm, Oil on canvas, 2024
Yi Sang (1910-1937) ‘Flowering Tree’ (꽃나무).
On an open field a flowering tree stands with no other like it nearby the flowering tree blossoms with a burning heart as if thinking of another flowering tree burns its heart. The flowering tree cannot reach the tree flowering in its thoughts I wildly fled for the sake of one flowering tree I truly did such weird mimicry.
벌판한복판에 꽃나무하나가있소. 근처(近處)에는꽃나무가하나도없소.
꽃나무는제가생각하는꽃나무를열심(熱心)으로생각하는것처럼열심으로꽃을피워가지고섰소.
꽃나무는제가생각하는꽃나무에게갈수없소.
나는막달아났소.
한꽃나무를위(爲)하여그러는것처럼나는참그런이상스러운흉내를내었소.

Mother blues, Porcelain, 2024

There would be no tears if there were no see between us, Ceramic, 2024
Fae Faos and Fos, 220 x 180 cm, oil on canvas, 2024
‘Far, faos and fos’ is the root words for fantasy in Ancient Greek that express
the notion of light, or a sensuous shining coming into presence.
Introduction
If I bury you 3,806 feet under
If our bodies are watered by rain
If our bodies are blown by wind
If our graves are watered by tear
Would flowers bloom 3,806 feet under?
*3,806 ft is the length of the bridge
between Sorokdo (Island) and Goheung (Land).
“The clinic—constantly praised for its empiricism, the modesty of its attention, and the care with which it silently lets things surface to the observing gaze without disturbing them with discourse—owes its real importance to the fact that it is a reorganization in depth, not only of medical discourse, but of the very possibility of a discourse about disease.”
The birth of the clinic, Michel Foucault”
Sorokdo holds such a distressing history and many people still are not aware of this place and its people. To reflect on the history and story of the islanders, having an interest and empathy must be the first step and I would like to initiate the step by archiving their story with creative methods.
Memory Images
They are memory images, but they're also images of the future. There's a kind of utopian feeling to the images, very often a dream image. The bodies that can be together in a different type of world.
So they resist reality.
They have, in a sense, created a utopian otherness out of what is actually a quite abject situation. It's like a utopian blink, to use Adorno's term.

A monthly meeting between parents and children at Sootanjang
(수탄장 = 愁嘆場 = sadness sigh place).

A picture of Yeon-Ae Gim reading, 2023

Picture of examination room at Sorokdo
There is a sentence in Sorokdo describing death as follows;
Patients die three times -
First, socially,
Secondly, physically
and Thirdly, by being dissected in the examination room.
Still from the moving images, Breathe (2024, 7'45'')

Lyrics written on the islander's back of the old calendar - There would be no tears if there were no see between us

Still from moving image, bath (2024, 7'28'')

Picture of patient's hand, 2017

Wedding picture between islanders, 1950-60s
라. 부부동거 (Married Couples) 음성으로 치유되 었으나 사회복귀하여 자력으로 생활하기 어 려운 노령자,무의무탁자, 신체장애 원생들이 상호 결합하여 상부상조 함으로써 안정된 생판을 영위하도록 부부동 거를 허용하고 있다. 그러나, 가임 환자가 동거를 원할때에는 불임시술 후 동거토록 하고 있다.
Older patients who are bacteria-negative, and unable to take care of themselves are permitted to marry. Marriage provides companionship and the opportunity to help another.
Younger couples of child bearing age are encourage not to have children.
-1984 Sorok National Hospital annual report, p75-
Original version in Korean, the last sentence is younger couples can only allowed to get married after vasectomy surgery, but’s changed to ‘encourage not to have children’ in the English translation.
To my first lover
I want to be your lover next life.
And we will collect green tea leaves.
Fictional writing

Chapter 1: Daughters of Their Daughters
Invitation to a Korean adoptee from Sweden
Chapter 2: Finding Liver
Invitation to an organ regeneration researcher
Chapter 3: There would be no tears if there were no sea between us
Invitation to her first secret crush
Chapter 4: Bath
Invitation to a woman who is in art school in her 40s
Evaluation
What space does this project create?
- Scent of ‘Utopian Blink’ (Theodor Adorno)- The painting doesn’t deliver Utopia pragmatically but it keeps alive the scent of it.
- Space, body and time become reorganised by recollection through a moment of the body becoming fragmented and fractured.
- Shift attention from observation to imagination to conceptualising to reconfiguring.
- Element of the relation between ethics and aesthetics.
- Element of the link between theorisation and fiction - comparison to pure observation or pure theory.
- Questions the limits of theory, questions the limit of observation.